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2333 items
  • Stock: 15556

    An ornate mid-19th century Sorrento Ware olive wood dressing table of small proportions. It features a lift up lid with marquetry inlaid scene depicting lovers dancing to the music of a mandolin, bordered by micromosaic, beneath which is an oval silvered mirror. Additionally, there are 2 locking drawers. The table is supported on slender tapered legs and a beautifully turned stretcher.
    Italian, c.1850.

    View our collection of: Antique furniture

    Width Height Depth
    26 12"
    67.3 cms
    29 12"
    75 cms
    18 78"
    48 cms
  • Stock: 15819

    A late 19th century ebonised and parcel-gilt overmantel mirror. This Victorian mirror adopts French Louis XVI decorative motifs, such as the crossed quiver and torchere, but pairs this with a backdrop of gesso roses, very much in the English taste.
    English, c.1880

    View our collection of: Antique mirrors and console tables

    Width Height Depth
    39 1316"
    101 cms
    63"
    160 cms
    3 12"
    9 cms
  • Stock: 14533

    A beautiful, tall and elegant walnut wood antique trumeau fireplace surround. A most stunning and grand piece.The overmantel, beneath the breakfront pediment, is centred by a finely carved deep sea dragon amidst swirling sea fronds and a sea serpent above which can be seen a prominent grotesque mask. The fire surround, with further swirling fronds and sea dragons on the frieze, is supported on plain jambs fronted by free standing, boldly carved male and female terms, beneath acanthus and cabuchon carvings, standing on pediments above tall stepped foot blocks. French circa 1870.

    Shown here with andirons SNo 12527 not included in the price.

    Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

    width height depth
    external 63 38"
    161 cms
    126 1316"
    322 cms
    30 78"
    78.5 cms
    internal 40 316"
    102 cms
    39 38"
    100 cms
  • Stock: 8283

    A simple and elegant Louis XVI fireplace in softly mottled green campan marble. The plain shelf with curved corners sits above a fluted frieze which is flanked by simple endblocks. This rests above fluted canted jambs on plain footblocks.
    French, mid 19th century.

    Width Height Depth
    External 49 316"
    125 cms
    41 12"
    105.5 cms
    14 1316"
    37.5 cms
    Internal 36 38"
    92.5 cms
    32 1316"
    83.2 cms
  • Stock: 15501

    A simple Victorian arched cast iron register grate with a sunburst back and stamped with the maker's mark of "Wright's Patent Bivalvs".
    English, c.1860.

    View our collection of: Antique Fire grates and Register grates.

    Width Height Depth
    37 78"
    96.2 cms
    37 78"
    96.2 cms
    11"
    28 cms
  • Stock: 15784

    A small 19th century cast iron fire basket, with an arched pediment back decorated with a central floral rosette.
    English, c.1890.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    External 16 18"
    41 cms
    22 38"
    57 cms
    10 316"
    26 cms
    Back width 13"
    33 cms
  • Stock: 15817

    A large William IV Victorian glazed bookcase in walnut, comprising four sections, the upper tier with an overhanging cornice and four large glazed doors is fitted with shelves. The base is is also glazed, fitted with shelves and stands on a plinth.
    English, c.1830.

    View our collection of: Antique furniture

    width height depth
    120 18"
    305 cms
    78"
    198 cms
    18 18"
    46 cms
  • Stock: 15779

    A fine 19th century bust of Bacchus, or Dionysus. This bronze library bust is modelled on the Landsdowne Antinous - who has assumed the guise of Dionysus - and is mounted on a gilt socle and a bronze banded base cast in low relief with a classical procession.
    Italian, c.1890.

    Notes: Antinous, the lover and companion of Emperor Hadrian, had one of the most recognisable faces in the Roman Empire. After his sudden death 130 AD, the grief stricken Emperor declared the youth had been reborn as a God. Representations of Antinous assuming the form of a God flooded the visual culture of the Roman Empire, and the Lansdowne Antinous was a larger than life bust which became renowned for its idealised beauty and quality. Antinous' image was commonly asssimilated with the well-known Gods such as Apollo, Mercury and indeed Bacchus. This bust was excavated at Hadrian's villa at Tivoli, and was likely part of a shrine dedicated to the youth.

    Height
    13"
    33 cms
  • Stock: 15797

    An elegant French 19th century giltwood overmantel mirror in the Louis Philippe style, surmounted by a cartouche of rocaille design mounted above rounded corners. The frame has been beautifully gilded and is embellished by a floral ribbon design which wraps around the rounded frame of the mirror. Original mercury mirror plate.
    French, c.1860.

    View our collection of: Antique mirrors and console tables

    Width Height
    38 58"
    98 cms
    64 58"
    164 cms
  • Stock: 15805

    A large and fine gilt gesso overmantel mirror with an arched pediment centred by a floral rosette and laurel sprays. This is supported by two fine columns. This mirror is of excellent quality, with a sturdy panelled back.
    English, c.1880.

    View our collection of: Antique mirrors and console tables

    Width Height
    61"
    155 cms
    70 18"
    178 cms
  • Stock: 15796

    A large 19th century Baroque style gilt and gesso wall mirror, with a cushion margin comprising of four beveled plates of glass framing the large beveled central plate. The gilt gesso frame is surmounted by a cartouche set within a naturalistic broken pediment, from which emanate foliate scrolls. This detail is echoed in the foliate corners.
    English, c.1860.

    The frame is gilded and has its original worn finish, with the red ground showing under the gold leaf.

    View our collection of: Antique mirrors and console tables

    Width Height
    42 12"
    108 cms
    53 78"
    137 cms
  • Stock: 15755

    An elegant 19th century Gothic Revival glazed bookcase of small proportions and excellent quality. The figured mahogany case is mounted with two pairs of glazed doors, both carved with fine tracery reminiscent of Gothic windows. Inside the bookcase, there is a total of six adjustable shelves, with fine mahogany nosings.
    English, c.1840.

    This bookcase would sit well at the side of a chimneybreast, and is a very useful piece of furniture.

    View our collection of: Antique furniture

    Width Height Depth
    43 14"
    110 cms
    95 1116"
    243 cms
    18 12"
    47 cms
  • Stock: 15651

    A beautifully veined carrara marble Regency bullseye chimneypiece, with a crisply reeded frieze and reeded jambs.
    English, c.1820.

    View our collection of: Antique English Regency chimneypieces inc. George IV fireplace mantels.

    Width Height Depth
    External 50 316"
    127.6 cms
    44 14"
    112.6 cms
    7 1316"
    19.8 cms
    Internal 30"
    76.3 cms
    37 58"
    95.4 cms
  • Stock: 15789

    An elegant neoclassical revival statuary marble chimneypiece, with Connemara marble inlay. The stepped shelf rests above a Connemara marble frieze, which is mounted with a floral tablet, beautifully carved with ribbon tied swags of flowers. Either side of the frieze,the endblocks are carved with urns after the antique, and these stand above the jambs, with tapered pilasters which are finely inlaid with Connemara volutes.
    English, c. 1920.

    View our section showing full range of neo-classical chimneypieces

    Width Height Depth
    External 60 58"
    154 cms
    47 1116"
    121.2 cms
    6"
    15.2 cms
    Internal 38 12"
    97.7 cms
    36 12"
    92.7 cms
  • Stock: 15758

    A large and imposing Victorian Belgian black marble and bronze mantel clock of architectural form. The case is surmounted by a bronze figure of a Roman Centurion who sits on a roof of fishscale tiles. The rest of the case is carved from Belgian black marble and is modelled as an architectural facade, with both corinthian pilasters and columns framing the dial. Behind the glass door, the dial is enameled with blue Arabic numerals. Inside, there is a fine eight day French movement that strikes the hours and the half-hour hours on a single gong.
    English, c.1880.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    14 38"
    36.5 cms
    21 1116"
    55 cms
    6 1116"
    17 cms
  • Stock: 14019

    A striking pattes de lion, or lion paw fireplace in the Louis XVI style. The fireplace is carved from bold bardiglio fiorito marble, which is dove grey with dramatic charcoal veining.
    French, c.1860

    Link to: Antique French chimneypieces inc. Louis XVI, French Empire fireplace mantels.

    Width Height Depth
    External 54 58"
    138.8 cms
    40 38"
    102.5 cms
    14 58"
    37.2 cms
    Internal 38 14"
    97.2 cms
    29 78"
    75.9 cms
  • Stock: 15188

    An unusual cast iron fire grate, its andirons cast in the form of dragons with ringed mouths, which support three bars, the central bar ornately twisted.
    English, c.1840.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    27 58"
    70 cms
    20 38"
    51.7 cms
    14 38"
    36.5 cms
  • Stock: 15768

    A very fine pair of bronze vases, taking the form of the Townley Vase. The vases are modelled on a krater, a Greek vessel used for mixing water and wine. Each vase has elegantly scrolling bifurcated gilt handles, and the body of the vases are cast in high relief and depict a bacchanalian procession, featuring Bacchus on Ariadne. The vases are mounted on Belgian black marble pedestal bases, on which are mounted lion masks with rings in their mouths. The interior of the vases are beautifully gilded.
    English, c.1860.

    Notes: The Townley Vase is a large Roman marble vase after a Greek original. The vase, dating from the 2nd century, was discovered in 1773 by Gavin Hamilton, a Scottish Antiquarian. Its name comes from the English collector Charles Townley, who purchased the vase after its discovery. After his death, the vase was brought to its final home, the British Museum.

    View our collection of: decorative antiques and furnishings

    Width Height Depth
    5 78"
    15 cms
    15 1116"
    39.9 cms
    5 78"
    15 cms
  • Stock: 15762

    A George III style wall mirror, its giltwood and gesso frame very much in the Chippendale manner, topped with a broken pediment surmounted by an urn. Down the side run naturalistic foliate and floral decorations. Original bevelled mirror plate.

    English, c.1890.

    View our collection of: Antique mirrors and console tables

    Width Height Depth
    22 38"
    57 cms
    40 58"
    103 cms
  • Stock: 15763

    A pair of stunning floor standing parcel gilt torchères in the manner of Robert Adam. The neoclassical form is exemplified by the slender sweeping legs which support the urn shaped faux oil reservoir on which the shades rest. The legs are mounted on a faux griotte marble platform base.
    English, c.1920.

    Provenance: Wynn House, St James's, London. Final images shows them in situ. Wynn House was designed by Robert Adam for Sir Watkin William Wynn, 4th Baronet, a wealthy landowner, politician and patron of the arts. Wynn house was once something of a country residence, and Sir Watkin was even known to keep a cow in St James's Park.

    Notes: Can be supplied with torchère light shades, or with the original bowl shaped shades.

    View our collection of: Antique candelabras, candlesticks and lamps

    Width Height Depth
    20 12"
    52 cms
    72"
    183 cms
    20 12"
    52 cms
  • Stock: 15474

    A simply carved Tudor Revival Horton Stone Chimneypiece hewn from five blocks of stone. The only decoration is the elegant spandrels featuring a carved decoration of Tudor Roses to the corners from which emanate trailing leaves. This frames the softly rounded opening. English, circa 1930.

    Notes: Horton stone is a limestone named after quarries at Hornton in north-west Oxfordshire. It is typically a rich tawny brown in colour, with natural variations.

    Link to: Antique Renaissance, Gothic Tudor Fireplace mantels and Chimneypieces: 1260 - 1600

    Width Height Depth
    External 66 18"
    167.8 cms
    45 1116"
    116 cms
    5"
    12.7 cms
    Internal 42 18"
    107 cms
    33 1316"
    85.8 cms
  • Stock: 15317

    An early 19th century brass fender, with pierced decoration, applied bullseye rosettes and three paw feet
    English, c.1820.

    View our collection of: Antique Fenders, Firescreens and Nursery Guards

    Width Height Depth
    55 78"
    142 cms
    8 1116"
    22 cms
    15 1116"
    40 cms
  • Stock: 15741

    An elegant French set of brass and steel fire tools in the Louis XVI style. The three tools are topped with pineapple finials in brass, as is the toolstand, which is entirely brass in construction ,with elegant naturalistic detailing and a ribbon detail to the shaft.
    French, c.1900.

    View our collection of: Antique Firetools.

    Width Height Depth
    12 78"
    32.7 cms
    26"
    66 cms
    10 1316"
    27.5 cms
  • Stock: 15766

    A late Victorian brass and stained glass hall lantern, its design both reminiscent of the Gothic and Aesthetic Movement. It is studded with copper flowers in the manner of W.A.S Benson.
    Victorian, c.1880

    View our collection of: Antique lanterns and ceiling lights

    Width Height Depth
    10 58"
    27 cms
    23 316"
    59 cms
    10 58"
    27 cms
  • Stock: 15665

    A pair of large Arts and Crafts copper andirons, possibly with a connection to the Newlyn School in Cornwall. These beautiful and unusual andirons are topped with foliate finials, mounted on obelisk like shafts with splayed feet, profusely decorated with floral and foliate motifs in repoussé work creating a wonderful low relief design. Beautiful quality craftsmanship.
    English, possibly Cornish, c.1890.

    View our collection of: Antique Andirons, Fire Dogs, Alare and Chenets

    Width Height Depth
    11 58"
    29.5 cms
    28"
    71 cms
    30 12"
    77.5 cms
  • Stock: 15572

    A fine and large nineteenth-century Gothic Revival oak bracket clock, with a silvered dial.

    The clock has an eight day, triple fusee, four pillar movement with anchor escapement and chimes the quarters on either eight or four bells, "Westminster chimes" and strikes the hours on a single gong.
    The finely engraved silvered arched top brass dial with Roman numerals has three subsidiary dials, namely; strike or silent, slow or fast, Westminster chime, or chime on 8 bells. Engraved spandrels frame the chapter ring. The case is the perfect incarnation of the Gothic Revival, the cathedral case topped with spires and finials which are supported by cluster pilasters whilst the dial is framed with a foliate ogee window.
    English, circa 1850.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    16 12"
    42 cms
    26"
    66 cms
    9 38"
    24 cms
  • Stock: 15737

    A German Neo-Gothic oak armchair attributed to Edwin Oppler (1831-1880). The chair bears the inscription 'Ernst is das leben, heiter die kunst', or 'Life is Serious, Art is Cheerful' on wonderfully carved banners unfurling amongst Gothic tracery. The motto is taken from Friedrich Schiller's Wallenstein Trilogy of 1800. The chair is beautifully carved and the letter G is inscribed within a shield on the top rail. It has been suggested that this is to indicate George V, son of Ernst August the last King of Hanover.

    German, c.1850. Later upholstery.

    Edwin Oppler was a well-regarded German Jewish Architect, and a proponent of the Neo-Gothic style. He came to know the Gothic style when he worked on the restoration of Notre Dame in Paris. His style then evolved to encompass what had so inspired him in this great Gothic masterpiece. His connection with George V arose when he took over the project of Schloss Marienburg from Conrad Wilhelm Hase in 1864, where he also designs furniture that shares many characteristics with this chair.
    In his career, he went on to design many synagogues, all of which were tragically destroyed during Kristallnacht.

    View our collection of: Antique furniture

    Width Height Depth
    23"
    58.5 cms
    38 58"
    98 cms
    22"
    56 cms
  • Stock: 15747

    An unusual Victorian Fire Tool Stand with Rococo base.
    English, c.1880.

    View our collection of: Antique Firetools.

    Width Height Depth
    11 38"
    29 cms
    25 316"
    64 cms
    9 38"
    24 cms
  • Stock: 15517

    A fine mid-nineteenth century eight-day longcase clock by W.J. Frodsham of Change Alley, London within a mahogany and marquetry case.
    The eight day, triple train, four pillar movement with anchor escapement, chimes the quarters on either eight or four bells, "Westminster chimes" and strikes the hours on a single gong. The 12 inch arched top brass dial with strike / silent lever and four bell chime / eight bell chime lever, has a silvered chapter ring with gilt brass putti and crown spandrels, beneath an oval cartouche engraved with the maker, W.J.Frodsham, Change Alley, London.
    The fine marquetry - almost Rococo in design - depicts two lovers walking within a pastoral scene, and is framed by foliate scrolls and floral sprays.
    English, circa 1840.

    Notes:
    The first recorded clockmaker by the name Frodsham was a William Frodsham, born in 1728 and is believed to have worked as a Journeyman for Justin Vulliamy, who was clockmaker to George III. In the early 19th century, the family were established as clockmakers, and entered a partnership with the well-regarded chronometer makers, the Parkinson’s and the business became Parkinson & Frodsham of 4 Change Alley. After the death of William Parkinson, the firm became W J Frodsham’s in 1842, until he handed the business over to his sons in 1847 the year that those sons were admitted to the Clockmakers’ Company. In subsequent years, the Frodshams exhibited at the Paris Exhibition of 1867 and 1889, developing and international reputation for quality.

    Condition notes: A very slight warp to the bottom of the trunk door.

    width height depth
    20 12"
    52 cms
    95 12"
    242.5 cms
    10 58"
    27 cms
  • Stock: 15643

    A Reflection of American History -

    An ornate convex mirror of grand proportions topped with an eagle on a rocky summit.
    Interestingly the mirror, thought to be of American origins, is decorated with 24 spheres around the frame, whilst another sphere hangs on a chain suspended from the mouth of the eagle. This possibly symbolises the 24 established states of the USA, with the state of Arkansas represented by a ball hanging from the mouth of the eagle, the country's emblem. This shows that Arkansas joining the USA is quite literally hanging in the balance.
    With this information, we can date the mirror to 1835-1836.

    American, 1836. Awaiting restoration, included in the price.

    View our collection of: Antique mirrors and console tables

    Width Height
    23 58"
    60 cms
    42 78"
    109 cms
  • Stock: 15675

    Victorian Eccentricity

    This whimsical fireplace embodies the Victorian period. It is a celebration of marble in its infinite variety, featuring five different marbles, namely, breccia marrone, verde antico, Cornish serpentine, Belgian black and arabescato marble. The wide shelf sits above the gently arched frieze, which is supported by pairs of Serpentine pilasters mounted on generous footblocks.
    Original marble fender included. (Fender measurements: 171cms wide, 15.5cms high, 43cms deep, 72cms deep from wall.)

    English, c.1860.

    View our collection of: Antique Victorian, William IV and Edwardian fireplaces and chimneypieces.

    Width Height Depth
    External 78 18"
    198.5 cms
    48 316"
    122.5 cms
    15 18"
    38.4 cms
    Internal 42 14"
    107.5 cms
    35 38"
    90 cms
  • Stock: 15682

    An unusual and compact cast iron Renaissance Revival fire basket, the arched pediment back decorated with an armorial cartouche and faceted andirons.
    English, c.1860.

    View our collection of: Antique fire grates and log baskets.

    Width Height Depth
    External 28 1116"
    73 cms
    29 12"
    75 cms
    15 1116"
    40 cms
    Back width 26 38"
    67 cms
  • Stock: 15661

    A large cast iron and polished brass fire basket in the neo-classical style, the arched pediment back decorated with laurel sprays and scrolled acanthus corners. Below this, the four barred grate is flanked by neoclassical urnular andirons and is framed by a pierced and scrolled apron.
    English, Circa 1880.

    View our collection of: Antique fire grates and log baskets.

    Width Height Depth
    External 33 1116"
    85.5 cms
    27 58"
    70 cms
    17 14"
    44 cms
    Back Width 18 1116"
    47.5 cms
  • Stock: 15759

    A set of seven Victorian leaded and painted glass window panels, two depicting grapevines, three depicting cherries and two depicting cobnuts. They can be set into a window, or displayed as an ornament, in which case we can fit hooks.
    English, c.1880.

    View of collection of: Antique Doors and Windows.

    Width Height Depth
    7 78"
    20 cms
    9 18"
    23 cms
  • Stock: 15753

    A fine 19th century French boulle red tortoiseshell mantel clock with brass boulle inlay in the Rococo style. The ormolu case mounts are surmounted by an urn finial and the ormolu dial is mounted with enamel numerals and blued steel hands. The movement is a two trained striking movement and is stamped A&N.
    French, late 19th century.

    Notes:
    Boulle work is an inlay process that was developed by the French Cabinet maker to the crown, André Charles Boulle (1642-1732). It involves veneering objects with tortoiseshell and inlaying this surface with gilt brass, brass or pewter in elaborate designs.

    View our collection of: Antique clocks and clock garniture

    Width Height Depth
    7 12"
    19 cms
    13"
    33 cms
    4 14"
    11 cms
2333 items